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Toyotomy Hideoshi, 1582

Discussion in 'vBench (Works in Progress)' started by Sergey Popovichenko, Oct 14, 2010.

  1. Sergey Popovichenko A Fixture

    Country:
    Ukraine
    Toyotomy Hideoshi, 1582 (Andrea, 54)

    Attached Files:

    sarouman, caramba, abbo and 10 others like this.
  2. Gellso A Fixture

    Country:
    United-Kingdom
    Very nice

    Great work on all aspects of this figure especially the metallics and inticracy of painting. Good job.
  3. gordy Well-Known Member

    Country:
    United-States
    Nice work Sergey (y) I like the horse armour :)
  4. jimias A Fixture

    Country:
    Greece
    Sergey i like everything about it. Better than many art box paintings around. Congrats.
  5. davidmitchell A Fixture

    Country:
    Scotland
    Very colourful yet subtle use of colours Sergey, superb.


    Cheers David
  6. rheath Active Member

    Country:
    South-Africa
    Absolutely superb Sergey, this is one of the nicest ancient Japanese pieces I've seen.:)
  7. megroot A Fixture

    Country:
    Netherlands
    Extreem figure painting.
    Great work over all.

    marc
  8. winston Active Member

    Country:
    France
    Great paint !!! But the eyes of the horse are strange.
  9. Sergey Popovichenko A Fixture

    Country:
    Ukraine
    Thanks all who has written, for warm responses.

    winston, it not eyes of a horse. They are drawn on protective mask of the horse. Black points it is apertures in mask
  10. Ferris A Fixture

    Wow, extremely well done Sergey!

    Cheers,
    Adrian
  11. Sergey Popovichenko A Fixture

    Country:
    Ukraine
  12. sarouman A Fixture

    Country:
    Greece
    Very cool job my Friends
    Bravo!!

    Alexandros
  13. unknown01 New Member

    Country:
    Japan
    Very cool TOYOTOMI HIDEYOSI.
    The technique of your painting is close and gorgeous.
    This general is a general most popular with Japan.
    There are very much his movies and television plays in Japan.
    Japanese was surprised, too.
    I congratulate completion.

    Mitsutaka

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