WIP Amy Johnson

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I've done some more work on the eyes and a little more to the flesh tones of the face this morning.

Roger.

Amy211014.jpg
 
Coming together nicely - good see the shape of the lambs wool collar appearing, always wondered how painters would handle that.

I've put a gallery page together with a few images I used to sculpt the figure, just in-case further reference is needed?

Amy Johnson – Painting Reference

-Rich
 
Hi Roger,
I like how you handling this one mate, it really draws out the excellent detailing sculpted by Rich, especially the face..............and I know why you are a fan of Rich's work...........no painting the reverse:ROFLMAO:, not that I'm saying anything, it's the others, you know that mate:):p
Looking forward to the next steps. One question how are you building the face up...using what Steve showed us or glazes?
cheers
Richie
 
Hi Roger,
I like how you handling this one mate, it really draws out the excellent detailing sculpted by Rich, especially the face..............and I know why you are a fan of Rich's work...........no painting the reverse:ROFLMAO:, not that I'm saying anything, it's the others, you know that mate:):p
Looking forward to the next steps. One question how are you building the face up...using what Steve showed us or glazes?
cheers
Richie



Cheers Richie, I`ve painted the sides though.:) I'm using glazes for this one, I'm finding I'm getting better results this way.

Roger
 
Interesting piece.
Leather and wool look great. Look forward to seeing the face develope... Painting women's fleshtones can be challenging, not making things too harsh.

Following closely

Colin
 
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